The 3 October edition of The Wire 's weekly radio show on Resonance FM and Resonance Extra featured a special guest mix by Bristol based improvising guitarist and promoter Matthew Grigg – including ...

Darren Cunningham’s supple, warm, second album of ‘R&B concrète’ was equal parts pop constructivism and humid club compulsiveness. Informed as much by 1980s pop as House and Techno, his meticulous ...

To accompany his report on the aims and activity of Nashazphone in The Wire 488, Louis Pattison compiles a playlist of ...

Over the course of several months, Áine O'Dwyer was given access to the pipe organ in St Mark’s Church, Islington while the cleaners were at work. Primarily a harpist, for this release she played and ...

Steve Roach: Synthesizer worship with the Arizona ambient musician. By Ned Raggett; [Ahmed]: Revolutionary grooves from the radically minded Anglo-Swedish-French quartet. By Stewart Smith Clarissa ...

50 records of the year as voted for by The Wire's writers.

Clipping: Daveed Diggs, Jonathan Snipes and William Hutson pool their combined experience in noise, modern composition, film scoring and performance to create abrasive mutant hiphop, as demonstrated ...

Subscribers: read this issue online. Subscribe to the magazine. Buy issue 484. Inside our brand new issue: Shellac: The US noise rock squad are hard as rails on long awaited new album To All Trains.

The former Skater’s soundtrack to a life of online entertainment, consumerism, iPads and instant communication was the first album he had put together on a computer, and its piercing preset sounds ...

Can we have a quick recap of how you got to the point of releasing records? Were you London born and bred? Yeah, South London born and bred. My dad's an old muso: he was a saxophonist for many a band, ...

Known for her experimental jazz guitar playing as both band leader and accompaniment, Boston born Mary Halvorson recently released her first record including vocals and lyrics. In light of this, as ...