CHICAGO — The Art Institute of Chicago today announced the election of Eric Lefkofsky as the organization’s new chair of the ...
Join artist Charles Ray and museum educator Sam Ramos for an informal gallery tour and conversation about Ray’s creative ...
This Augsburg armor is rare in that all of the pieces are original and belong to the same garniture. The elements have alternate polished areas and etched bands enclosing strap work and arabesque ...
The Art Institute does not offer appraisals of artworks, books, maps, or other library materials. The libraries can, however, help you devise search strategies for finding information about particular ...
Pop artist Andy Warhol’s fascination with fame and his complicated veneration of popular culture permeated every aspect of his career. Early on he adopted the commercial printing process of ...
From the late seventeenth century to the present, well-attended public exhibitions of artwork in Paris created an opportunity for a diverse group of Parisians to view and form opinions about works of ...
To assure themselves a comfortable afterlife, Egyptians stocked their tombs with at least one figurine called an ushabti, who acted as a servant in the afterlife. The message carved on each of the ...
Responsible for the treatment, research, and long-term preservation of over 300,000 works of art in the Art Institute’s collections, the Department of Conservation and Science is integral to the ...
Find us on the first floor of the museum’s Modern Wing. Turn left after you enter at 159 East Monroe. The Patrick G. and Shirley W. Ryan Learning Center (RLC) is the museum’s hub for learning and ...
John Leech (English, 1817-1864) written by Robert Smith Surtees (English, 1803-1864) published by Bradbury and Evans (English, 19th century) ...
The manufacture of armor was a highly complex task requiring great skill and expertise. The visor and bevor were part of the armor worn in the joust, a type of sporting combat fought between pairs of ...
This imposing head probably comes from a full-length sculpture of an apostle that was one of the column or jamb figures flanking the portals of the west facade of Notre-Dame Cathedral in Paris.