Vantage Film has developed a revolutionary motion picture film format that gives cinematographers an entirely new look that is definitely anamorphic. These lenses use 33% more sensor/negative when ...

Hawk V‑Lite16 anamorphics are smaller than most spherical lenses on the market. Still, they offer the same stunning performance as all Hawk anamorphics. Finally, cinematographers and camera operators ...

Hawk V‑Plus anamorphics yield slightly greater definition and subtly boosted contrast. Superior optical design is also evident in two super-close-focus lenses, the 65 mm and the 120 mm, which focus ...

The Hawk C‑Series lenses deliver thoroughly modern and sharp imagery that is also slightly forgiving, with a very natural feel. Designed with an understanding of how filmmakers work, the C‑Series ...

The PSU-4 is Vantage’s powerful, compact and elegantly designed video assist system. Delivering an astonishing range of functionality, the PSU-4 expresses the Vantage philosophy of ingenious, ...

The versatile Hawk V‑Lite 1.3x lenses either use the full 16:9 sensor area for wide-screen release or the entire 4:3 sensor for 16:9 television. The Vintage’74 version has certain gentle aberrations ...

I decided to keep the film simple with long takes that allow the eye to rest and judge lens performance. I made sure all important situations were covered: day, night, interior, exterior, artificial ...

Growing up in Estonia, Kadri Koop didn’t dare to dream of a career in the arts. “My parents are entrepreneurs, and my family was very open, and put no pressures on me,” she recalls. “I felt like I ...

Vantage One T1 spherical primes offer new worlds of creative opportunity with a range of distinctive looks and textures depending on the stop, extending to an eye-opening T1. To celebrate the tenth ...