Across Scotland, we have thousands of people working to protect Scotland’s heritage: at historic houses and castles, in gardens and throughout the countryside, and in a variety of support roles. Our ...

The Trust is in discussions with Perth and Kinross Council about new arrangements for the management of 20 homes that we own ...

Beautiful places only stay beautiful because of the hard work of thousands of dedicated people. The Trust is its people – over 300,000 members are directly represented on our Board of Trustees and ...

The National Trust for Scotland Foundation USA (NTSUSA) is an independent, non-profit organisation that enables Americans who love Scotland to support the National Trust for Scotland’s conservation ...

A stay at one of our places is a truly special experience; each one comes with its own connections to local heritage, whether it’s part of a historic building or set within an important natural ...

The Trust is proud to support talented makers and craftspeople from across Scotland. In this story we meet Paul McParland, ...

Museum and archive collections from Robert Burns Birthplace Museum are now available for everyone to explore online. Whether you’re a Burns scholar, tracing your family roots to Ayrshire or wanting to ...

Supported by volunteers, the National Trust for Scotland protects, cares for, shares and speaks up for Scotland’s magnificent heritage. Volunteers contribute their time, experience, skills and ...

To celebrate 80 years since acquiring the House of the Binns, the Trust is hoisting a flag on the prominent Binns Tower.

National Trust for Scotland locations have welcomed many productions, from music videos, documentaries, travel programmes, adverts and photo shoots to international TV drama series and feature films.

Renewing your membership means that you can visit your favourite places again and again, as well as discover some new ones! With so much to see and do across the country, you can look forward to ...

Visit the graves of Burns’s father and younger sister in this 16th-century church ruin, ‘where ghaists and houlets nightly cry’. The 16th-century church was already a ruin by Burns’s time. Burns chose ...